14
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Cobra Spider
Utilising Redshift's excessive speed to play with the bespoke lighting setup in this scene, showing off the minimal beauty of the Cobra Spider. Working with Redshift has been a hugely rewarding learning curve, I was able to optimise the render times down by almost 200% with some careful sample balancing.
14
/
Cobra Spider
Utilising Redshift's excessive speed to play with the bespoke lighting setup in this scene, showing off the minimal beauty of the Cobra Spider. Working with Redshift has been a hugely rewarding learning curve, I was able to optimise the render times down by almost 200% with some careful sample balancing.
14
/
Cobra Spider
Utilising Redshift's excessive speed to play with the bespoke lighting setup in this scene, showing off the minimal beauty of the Cobra Spider. Working with Redshift has been a hugely rewarding learning curve, I was able to optimise the render times down by almost 200% with some careful sample balancing.
Back View
Front View
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14
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Cobra Spider
Utilising Redshift's excessive speed to play with the bespoke lighting setup in this scene, showing off the minimal beauty of the Cobra Spider. Working with Redshift has been a hugely rewarding learning curve, I was able to optimise the render times down by almost 200% with some careful sample balancing.
Back View
Front View
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14
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Cobra Spider
Utilising Redshift's excessive speed to play with the bespoke lighting setup in this scene, showing off the minimal beauty of the Cobra Spider. Working with Redshift has been a hugely rewarding learning curve, I was able to optimise the render times down by almost 200% with some careful sample balancing.
Back View
Front View
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14
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Cobra Spider
Utilising Redshift's excessive speed to play with the bespoke lighting setup in this scene, showing off the minimal beauty of the Cobra Spider. Working with Redshift has been a hugely rewarding learning curve, I was able to optimise the render times down by almost 200% with some careful sample balancing.
Back View
Front View
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